The configurator has limits. This is what happens beyond them.
A client once asked for a piano housed within a 24 carat gold imperial egg, built for a private ballroom. The piano came first. Every other decision in that room followed it. Another wanted theirs covered entirely in Swarovski crystals. A third brought us a sculptural table and asked whether a working grand piano could live inside it without corrupting the form. It could. Because we build the world’s smallest grand piano, and that changes what’s possible.
If you can describe it, draw it, or show us an image, we can work with it.
The Design Studio is not a tool. It is a working session with the Edelweiss team in Cambridge, or online if you prefer. You bring the vision. We bring fifty years of craft knowledge and an open mind about what a piano can be.
The first session is a design consultation. We listen, ask questions, and establish what is possible. There is no obligation and no pressure. Some conversations become commissions. Some take time. All of them are worth having.
