Nothing else sounds like this.
Patented engineering. Fifty years of restoration knowledge in every decision. It plays with a responsiveness that serious pianists do not expect at this scale. Unlike anything else available.
Built in Cambridge, England. Found in homes all over the world.
Mark Norman, founder and creative director.
Aurora does not project into a room. It occupies one.
The dynamic range runs from the softest pianissimo to full, open voice. The touch weight, the key return, the immediate connection between finger and sound. Aurora does not ask you to meet it halfway. It is already there.
Choose a programme from your iPad and the piano takes care of the rest. The mechanism is completely invisible. Only the music is audible.
Our most requested finish. The engineering made visible, the room reflected in the surface.
A contemporary silhouette in honey oak or black ice tree veneer, with just enough classical influence to sit in any interior.
A creative collaboration with Kelly Wearstler. Sculpted layers of smooth birchwood veneer ripple across the surface. Instrument and design object, in equal measure.
Three instruments conceived as objects first. Finished in liquid metal, by hand, in Cambridge. The form is fixed. The finish is never the same twice.
Ottoman Bronze and Starlight Gold white gold leaf. The moon’s quiet authority, made permanent.
Sunbaked Gold and Heirloom Bronze liquid metal. Born from Californian desert sunrises.
Named after the French for flint. A pale outer cortex. A dark quartz interior. Beauty revealed in the contrast.
88 keys
Width: 146cm / 4ft 8in
Length: 132cm / 4ft 3 in
Height: 170cm / 5ft 6 in
Weight: 352 kg / 777lbs
Lacquered or hand-rubbed oil
Included as standard
Transparent, crema, Farrow & Ball, Little Greene, RAL or custom
Catherine R., Aurora owner, London
For something beyond the editions entirely, our design studio in Cambridge will take it from there.
Ask us what’s currently in the workshop →
